Multi-Lingual Artist BAL Adds English Releases

here’s no artist quite like BAL—now or ever. As a lifelong music lover, he began making music professionally about five years ago. Moving from Haiti to Brooklyn at 14 wasn’t easy—but his heritage remains at the heart of his sound. Though BAL started creating music in Haitian Creole, he now delivers electrifying tracks in English, Creole, and French—bringing the “BAL” (translated to Bullet or Festival in Creole) experience to a wildly diverse audience. Like a Michelin star chef, he methodically mingles tantalizing ingredients—listeners can expect a spoonful of streetwise storytelling, a generous dose of unfettered passion, and his secret weapon: opera. Mesmerized by its spiritual essence—and skilled enough to pull it off—BAL weaves operatic grandeur into the worlds of rap, R&B, afro beats, and more. Undaunted by innovation, he’s the pioneer of a groundbreaking sub-genre—“Opera Drill”—and seeks to jumpstart many others. His music is a dazzling display of authenticity, revealing a deep dedication to his craft and a fearless desire to expunge the deepest chasms of his soul for public display. With each release, one thing is certain: BAL is an unapologetic force poised to shatter expectations and take the music world by storm. No matter what obstacles come his way, BAL keeps proving he’s bigger than the system trying to hold him back. They tried to label him, tried to clip his wings, but he’s still making major business moves, still growing his brand, and still elevating in the game. Even with restrictions, he’s outworking the competition—locking in partnerships, making music that moves the culture, and showing that real hustlers don’t fold. You can’t stop what’s destined. Watch him turn every setback into a setup for something greater.

Hovering over a steady laid-back beat and wistful piano melody, “PARDON ME” is unexpectedly vulnerable, like a diary entry inviting listeners into BAL’s most intimate experiences. He’s “good friends with the rain”—a nod to the swirling storms he carries. Though he feels like he’s lost a part of himself, he bravely acknowledges that “It’s okay to be lost sometimes,” offering a reassuring hand to those who feel the same. It’s both a tribute to his “hustler family”—the community that pushes him to grow—and a powerful statement: he won’t apologize for working hard and being himself. As long as he delivers artistry straight from the heart, he knows the right people will follow. “PARDON ME” is proof of that.

The “PARDON ME” music video takes listeners on a journey around Hollis, Queens—the true bowels of New York. It may not sparkle like the Freedom Tower or hold the iconic status of the Statue of Liberty, but it’s home all the same. With his crew by his side, BAL takes to the streets and the studio. Bringing raw authenticity to the screen, it forgoes the flashy tropes of typical rap videos, instead mirroring the tenacious spirit of BAL himself. But what’s a music video without a little cinematic flair? In a striking Brooklyn studio, he wrestles with his inner storm, painting a picture of his struggles, fears, and the family that fuels his rise.

While both tracks are undeniably energizing, “VOODOO BABY” is a blazing surge of pure adrenaline. In popular culture, Voodoo often carries a negative stigma—misassociated with witchcraft and harmful practices. In reality, it’s a powerful religion and culture—a means of remembrance, resistance against oppression, and a way to restore community. BAL channels the mysticism and intensity of Voodoo into “VOODOO BABY,” creating an unapologetic, wildly vibrant exhibition of his heritage and identity. It’s a perfect entry into the world of Haitian Drill—a genre with BAL leading the charge. He blends Haitian Creole into this English track with finesse, proving that pure expression is truly the key to success.

This track goes full throttle—and so does the music video. It carries the invigorating edge of a classic rap or hip-hop video, with quick cuts, bright flashes, and tilted camera angles—but touches of Voodoo are woven throughout. The dark, candlelit setting evokes a mysterious, almost supernatural atmosphere—intense and immersive. Symbolic imagery and energetic performances create a near-sensory overload, delivering an inescapable rush of excitement. At its core, it highlights the fusion of the traditional and modern elements that define BAL’s artistry. And despite the stereotypes, “VOODOO BABY” isn’t about evil—it’s about identity. It’s an unshakable part of him, a cornerstone of his spirit and craft. He’s here to make a mark on this industry—without compromise. His fire is lit—and it’s only spreading.

What is it like for you to craft songs in many different languages?

I would say like water or food, I love music. Music is part of my everyday life, I eat, I drink and I cry music, and also the business of it so I want everybody to relate, no matter where you are, and doing different languages would do that. Creating music in multiple languages is like unlocking different parts of my soul. I come from a multicultural background, and expressing myself in English, Creole, and even Spanish allows me to connect with different audiences and tell my story in more dynamic ways. Each language carries its rhythm, emotion, and energy, and I love being able to explore that creatively.

“PARDON ME” is a vulnerable track—how much of the song is rooted in your own experience? Was it difficult to write from such a personal place?

Not at all, I love writing. Every time I feel some type of way, I write. I feel stressed, I write, I feel sad, I write and that also helps me from getting lost or depressed sometimes. Writing is life and “PARDON ME” is deeply rooted in my journey. It reflects moments of doubt, growth, and emotional vulnerability that I don’t always get to show in my music. Writing it was challenging because I had to confront some of the things I usually keep to myself, but it was also therapeutic. I wanted to be transparent, and I think that honesty comes through in the record.

Tell us a little bit about how you continue to pioneer the Haitian Drill genre with tracks like “VOODOO BABY.” What are some of the signature elements of this genre?

“VOODOO BABY” is a drill vibe mix with some type of opera in the background saying it’s English and Creole as second verse and I believe I’m the first one to ever done that also it’s ok to take risk sometime but this risk wasn’t a bad one at all to be honest it was a great risk representing my Culture like I should and we gon keep on giving you guys real culture music

Haitian Drill is more than just a sound—it’s a movement. It blends traditional drill energy with the raw soul of Haitian culture, spirituality, and storytelling. Tracks like “VOODOO BABY” incorporate elements like Creole lyrics, spiritual symbolism, and voodoo rhythms with aggressive drums and orchestral layers. I aim to create a genre that honors my roots while pushing boundaries.

What parts of your outlook on life are found in “PARDON ME?”

Like I said, I’m outside but I’m a loner and thanks to music, now I’m a hustler. “PARDON ME” tells you deeply how I’m feeling and how I am about music and life around it. “PARDON ME” reflects my belief in accountability, redemption, and perseverance. It’s about owning up to your past, forgiving yourself, and not letting your mistakes define your future. That’s how I try to live—always evolving, always learning.

What was the most rewarding part of bringing these stories to life in the “VOODOO BABY” and “PARDON ME” music videos?

Seeing that I’m doing what I love is the best reward, and I’ll do anything to keep this going because that’s what gets me happy. Seeing my vision fully come to life on screen was powerful. For “VOODOO BABY,” it was about honoring my heritage in a visually rich and respectful way. For “PARDON ME,” it was the emotional depth—the vulnerability and strength it portrayed. Being able to take something personal and turn it into art that others can see and feel was incredibly rewarding.

Motivation and perseverance have played a large role in your artistic journey thus far; in what ways do these tracks highlight this?

And also like I saying ain’t nobody plain to failed but everybody failed to plan my whole life I been doing music but always hard on my part to do video because of budget or mediocre videos I have like 3 more videos that I never put out just because I didn’t like the quality and the vision I had for it didn’t happened so I never drop them but those 2 songs gave me the fire to say talk more about real stuff. Both songs are testaments to resilience. “PARDON ME” talks about fighting through pain, while “VOODOO BABY” celebrates spiritual power and identity despite adversity. They show two sides of the same coin: the struggle and the strength that keep me moving forward.

How do you navigate obstacles in your musical career and personal life?

By staying focused. Already as a creator I’m not supposed to be depressed so every time I feel some type of way like I said earlier I write music and I also believe once your destined for something ain’t no obstacle can stop you and also my life is a movie I write my own scripts so I don’t see obstacles in front of me just lessons. I stay grounded in my purpose. Every challenge is either a lesson or a stepping stone. I rely on my support system, faith, and my ability to adapt. I remind myself that nothing worth having comes easy, and every setback is a setup for a greater comeback.

What excites you the most about the direction your music is heading?

The business side of it and also the journey, the meeting, strong-minded people like me, I can collaborate with, I’m loving it already. I’m excited about the freedom I feel artistically right now. I’m blending genres, cultures, and sounds in ways that feel authentic to me. Fans can expect more genre-bending records and deeper storytelling. This is just the beginning.

Follow BAL