Rhyme Report

Published on October 28th, 2020 | by Guest Contributor

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Some Die Young and Noya Deliver “Black ‘N’ Blue” via Warpaint Records

As Warpaint Records continues sharpening their vision for a brighter future through the lens of creation and composition, each release grows increasingly influential. The label’s latest release “Black ‘N’ Blue” calls on the collaborative work of Some Die Young and Noya. Some Die Young is the moniker of Trevor Lanzarotta, a full circle creator and individual brand with an emphasis on music, fashion, design, and digital art. The Some Die Young project nurtures the idea that an individual is only granted one life, and what we choose to do with that information defines our legacy. His musical accomplishments include graduating from the prestigious Icon Collective, performing alongside Getter, Must Die, Protohype, Lumberjvck, Gareth Emery, Kid Spinn (105.9 Power DJ), RhFactor (DJ of Black Eye Peas), and more. Some Die Young has also released music on powerhouse labels by the likes of Firepower Records, Impossible Records, Pantheon, and of course, Warpaint. 

SDY’s co-write and collaborator on “Black ‘N’ Blue” is none other than the musical genius of Noya. With a career that spans over the course of a decade, Noya has released music on Subsidia, Kannibalen Records, Disciple Round Table, Firepower Records, and Buygore, just to name a few. With support from EDM tastemakers by the likes of EDM.com, Drop The Bassline, Dubstep unK, and dozens of placements across the Beatport Top 100 chart, Noya’s signature sound is effortlessly hair-raising to music consumers and critics alike. His latest release was a successful collaborative triumph with NYT editor Ian Urbina via Warner Music. A bonafide bass tycoon with an impressive discography and sync deals, Noya’s unrelenting production style was tailored for the mainstage. 

Noya and Some Die Young share a rare kind of artistic synchronicity on “Black ‘N’ Blue” as they combine their respective styles into one profound listening experience. A race through steezy basslines with a quick-witted dubstep underbelly, “Black ‘N’Blue” transports listeners back to the front row. Watch this space.  



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