PRE’s Jay Fizzle Spreads Holiday Cheer in “Trap Christmas” Video
Jay Fizzle is putting on for the ones who matter most. The Paper Route Empire artist expresses gratitude and spreads holiday cheer in his latest video “Trap Christmas.” In the video, Fizzle and his top elves prep their sleigh to prepare for a night of gifting gifts to all those across the globe.
“Trap Christmas” Unwraps a Festive Surprise for Fans
“Trap Christmas” arrives as a surprise Christmas drop for fans. Following videos like “F*ck Being Famous,” “Built For This,” and the SNUPE BANDZ-featuring “Good Fellas,” are the latest videos from F*CK BEING FAMOUS. The new collection of unapologetically raw rhymes rolls out the carpet for a series of familiar and unfamiliar guests.
Fizzle proves to have excellent chemistry with L.A. legend 03 Greedo on the ultra-funky “Still The Same,” as the two bond over their enduring love for the color purple, and he goes toe-to-toe with Chicago rapper Kash Mirr on the steely “Blackout.”
Home to the recent video single “Dickie Set” (477k views), F*CK BEING FAMOUS looks to continue the momentum from DonaFizzo, Fizzle’s 2022 tape, and keeps his run going as Paper Route Empire’s longest-tenured signee. Last year’s DonaFizzo featured buzzing street hits like “Standing On Top Of Sh*t” ft. Key Glock and the heartfelt tribute “Long Live Dolph” ft. Ricco Barrino.
With F*CK BEING FAMOUS, Fizzle follows Dolph’s footsteps, digging deep into his mastery of Memphis music and delivering a set for the Tennessee trap heads. Sit back and watch him rise to the top of his city’s busy scene.
“..the members of Paper Route Empire reach a level of sincerity and emotional reflection that’s still hard to come by.” – Pitchfork
“Choosing some of the more interesting production to rhyme over, Jay Fizzle’s frankness and the flows he has on tap keep him in the convo as the whole city takes off.” – XXL Mag
“10 Rappers You Should Know Right Now” – DJ Booth
“The tape serves as both a testament to Memphis’ current rap preeminence and Fizzle’s own dexterity. He saves perhaps the hardest for last on the tape, attacking a looped vocal sample and towering percussion with ferocity.” – DJ Booth
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