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Published on January 18th, 2020 | by Jameelah "Just Jay" Wilkerson

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Ren Harvieu – Yes Please

With her new album Revel In The Drama due for release on April 3rd, 2020 via Bella Union, today Ren Harvieu has shared a sultry video for current single “Yes Please”.

Of the video, director Scott Jones says: “Visually, Ren had a vision of what she was looking for. The red light mic hanging in space with a simple performance, mixing with a very sensual close up of full frame lips. It was my job to develop these ideas to hold the viewers interest for the length of the song. I thought a Lynchian, dream-like approach to the imagery would increase that slow burn intensity of the song, increasing suspense and building tension.”

Harvieu adds: “With the video for Yes Please I wanted to convey the sensuality of the song simply through a vocal performance, using the microphone as the object of desire that I tease.”

Additionally, Harvieu has announced news of an extensive UK tour, beginning late April in Sheffield and culminating in a performance at London’s Moth Club. Dates/info are listed below.

Revel In The Drama is a brilliant and bolder take on Harvieu’s timeless pop classicism, a compelling diary of a struggle with self-belief and a celebration of liberation and survival, seven years after her Top 5 debut album and having overcome a life-threatening injury. Harvieu’s defiance against the odds and her willingness to lay herself open to make what she believed was within her is baked into every groove of the record, across every stylistic turn: the giddy pop of “Strange Thing”, the gothic swoon of “Cruel Disguise”, the smokey seductiveness of “Yes Please” through to the stirring torch song finale “My Body She Is Alive”.

Harvieu has come a long way from the 17-year-old who was signed to Island Records and who had no intention of becoming a singer-songwriter. Even when she made her debut album Through The Night, her confidence was low. “I did help write a few of the songs on that record, which I’m still very fond of, but I felt more of a mouthpiece for someone else’s talent, which eats away at you especially because I had so much to say lyrically I just hadn’t learnt how to as yet.”

Her injury – a broken spine following “a freak accident” between recording and releasing her debut album – undermined Harvieu even further. Likewise, Island parted ways with her six months after it’s release, despite a Top 5 chart entry, making the BBC’s Sound Of 2012, a 5-star live review from The Guardian and TV exposure. What followed was what Harvieu describes as “some very dark years” which she addresses in songs like “Spirit Me Away” and the 50’s ballad-evoking “You Don’t Know Me.” A split with her long term partner, her manager and then her beloved Salford, she comments: “In one fell swoop everything was gone. I knew I had to get away, start again, rebuild myself.”

It wasn’t until 2015 to be exact, when she met Romeo Stodart, the Magic Numbers frontman and songwriter who had emailed after seeing her perform on Later… With Jools Holland, to ask if she’d consider writing together. “When we started, the energy was immediately different to anyone I’d worked with before, there was this insane instant musical connection” she says. “I loved that Romeo really embraced who I was and encouraged it, I was starting to realise that I didn’t have to be anything other than myself.”

The pair spent the next two years co-writing: “I wasn’t in a massive hurry, because at last I was having fun” Harvieu says. “We’d stay up all night drinking, dancing and playing music, I felt like I was re-discovering a girl who had been hidden, quietened. I’d tell Romeo, I don’t just want to paint pretty pictures I want to revel in the drama of my life, the good and the bad, before I was afraid to say something in my lyrics, but no longer. I felt free.”

The album was co-produced by Romeo Stodart and Dave Izumi Lynch, owner of Echo Zoo studio in Eastbourne where recording took place. “It was a truly magical experience working with Dave & Romeo, they are two absolute nurturing musical wizards.” says Harvieu.

Harvieu’s lyrical confidence is evident throughout the album and has you leaning in to absorb line after line. Her voice, soaring and caressing in equal measure, is matched in force by her flirtatious personality. From the album’s opening lyric “Let me put my paws on you, strange thing” through to the feminine bite of “Curves And Swerves” “I’ve got some curves and some swerves, what you gonna do about it?” which crackles with sexual tension and an aching vulnerability.

Among Harvieu’s new songs are messages of hope to her younger, anxious self. To the teenage goth Ren in “Little Raven”, she says: “I want you to know, that I’m starting to feel, but its gonna take time, but I’m ready to heal”. “Tomorrow’s Girl Today” is to the Ren “who would make bad decisions… we can all be very self-destructive, but will we make it this time?”

So what now, Ren Harvieu? “I’ve created a second chance for myself“ she says. “And I will keep creating second chances for myself, because this is my life and I’m not afraid to revel in it anymore.”

REN HARVIEU TOUR DATES:

4/24/2020 – Sheffield – Picture House Social
4/25/2020 – Leicester – The Cookie
4/26/2020 – Cambridge – Portland Arms
4/28/2020– Cardiff – Clwb Ifor Bach
4/30/2020 – Hebden Bridge – Trades Club
5/2/2020 – Manchester – Gorilla
5/4/2020 – Edinburgh – Voodoo Rooms
5/5/2020 – Newcastle – Cluny
5/6/2020 – York – The Crescent
5/10/2020– Birmingham – Hare & Hounds
5/12/2020 – London – Moth Club




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